Slovak National Drama Theatre, Bratislava/Slovakia

Written by Alexandra Salmela. Directed by Júlia Rázusová.
Dramaturgy: Miriam Kičiňová 
Stage & Costume Design: Diana Strauszová 
Music: Jonatan Pastirčák 
Video: Viktor Petráš, Jaroslav Mackov 


In Co-operation with Badisches Staatstheater Karlsruhe / Germany and Pesti Magyar Színház, Budapest/Hungary. 

 

Monday 7 June - Wednesday 9 June

ALL DAY 

Showreel: Strange Things | Cudzô

Streamed Stage Play by Slovak National Drama Theatre, Bratislava/Slovakia
Free Admission

 

Young people are faced with all the challenges, anxieties, fears, uncertainties, and adrenaline that are part of an adventurous quest for the rescue of the world. The play portrays a world after a catastrophe where all adults have disappeared. Resources are used up, and it seems that the internet is about to stop working, too. How will the young people manage in the new context and what world will they create? Where will they look for their families and friends? “Strange Things” is a witty encounter with what we find alien and what we (like to) fear. A play about what we do and don’t find strange.

“Marin Sorescu” National Theatre of Craiova/Romania 

For adolescent and adult audience

Directed by Vlad Dragulescu. 
Romanian Translation: Cosmin Dragoste 
Stage & Costume Design: Lia Dogaru 
With: Monica Ardeleanu, Petronela Zurba 
 
A Co-operation between Theater Magdeburg/Germany, Junges  Staatstheater Braunschweig / Germany and “Marin Sorescu” National Theatre of Craiova/Romania. 

18:30 CET

Performance: Democrisis. (K)ein Ausweg

360° Game Walk by “Marin Sorescu” National Theatre of Craiova/Romania 
Free Admission
 

A right-wing populist party is the third strongest force in the German Bundestag, the British left the EU, neo-Nazi demonstrations are taking place in East Germany, a confused president wanted to build a wall: What's going on? A clearly noticeable jolt towards nationalism is currently shaking our basic democratic order. Alternative facts and hardened fronts make the necessary dialogue impossible – are we endangering our democracy?

A live theatre game developed in co-operation between Theater Magdeburg, Staatstheater Braunschweig and the “Marin Sorescu” National Theatre of Craiova. The immersive gameplay “Democrisis” is based on interviews with 14 to 20-year-old people from Braunschweig, Magdeburg and Craiova and asks the question: What would we lose if we put our democracy at risk?

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Junges Staatstheater Braunschweig/ Germany

For adolescent and adult audience

Written by Jules Buchholtz 

Concept and Stage Direction: Theresa Meidinger, Rike Breier & Kathrin Simshäuser  
Stage and Costume Design: Ruby Heimpel und Gretl Kautzsch  
Video: Stephan Chamier  
Virtual 360º Walk: Gretl Kautzsch  
Dramaturgy: Kathrin Simshäuser und Sarit Streicher 
World premiere 

18:30 CET

Performance: Democrisis. (K)ein Ausweg

360° Game Walk by Junges Staatstheater Braunschweig/Germany
Free Admission

 

In 2035, the consequences of climate change have become reality, living conditions on planet Earth have become uncomfortable - but luckily there is the global corporation PlanetTech. With their help worse development can be avoided. Jona Assault, however, is fighting the corporation underground - what is he up to, and is the catastrophe perhaps already closer than everyone thought? In the immersive gameplay "DEMOCRISIS. (K)ein Ausweg" the players are exposed to a possible future scenario. What would we do to save the climate? How important are our democratic values to us? A highly explosive game on the topics of democracy, nationalism and eco-totalitarianism.  
 
A 360º game tour was developed for the Young Europe Festival "To:gather", in which all participants explore the surroundings of the original venue, Lokpark Braunschweig, with the help of a virtual tour. An integrated part of the production is a subsequent workshop with a follow-up discussion. 

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Stephan Chamier

Theater Magdeburg/ Germany

For adolescent and adult audience

Written by Jules Buchholtz. Directed by Anton Kurt Krause

Dramaturgy & Project Management: Laura Busch
Stage & Costume Design: Nadine Hampel
Theatre Pedagogy: Veronika Riedel
Game Design Consult: Matthias Prinz
With: Anja Signitzer, Isabel Will

18:30 CET

Live Zoom Performance: Democrisis. (K)ein Ausweg

Live Zoom Performance by Theater Magdeburg. 

Free Admission

 

A right-wing populist party is the third strongest force in the German Bundestag, the British left the EU, neo-Nazi demonstrations are taking place in East Germany, a confused president wanted to build a wall: What's going on? A clearly noticeable jolt towards nationalism is currently shaking our basic democratic order. Alternative facts and hardened fronts make the necessary dialogue impossible – are we endangering our democracy?

A live theatre game developed in co-operation between Theater Magdeburg, Staatstheater Braunschweig and the “Marin Sorescu” National Theatre of Craiova. The immersive gameplay “Democrisis” is based on interviews with 14 to 20-year-old people from Braunschweig, Magdeburg and Craiova and asks the question: What would we lose if we put our democracy at risk?

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Andreas Lander

Junges DT Berlin/Germany

Written & directed by Wilke Weermann
Dramaturgy:
Lasse Scheiba 
Stage Design: 
Ayfer Ezgi Karataş 
Theatre Pedagogy:
Maura Meyer, Simon Gal 
With:
Laura Eichten, Nazim Dario Neumann 

 

In Co-operation with De Toneelmakerij, Amsterdam/Netherlands and Weöres Sándor Színház, Szombathely/Hungary.

20:30 CET 

Performance: RAGE 

Streamed classroom play by Junges DT / Deutsches Theater Berlin/Germany
Free Admission

 

Students disappear. The recruitment videos of a masked girl, Esther, are circulating on social media. She demands immediate political participation. More and more young people join her collective. Who will listen to you when you are still a minor? What forms of participation do we need? And what if Fridays for Future is just the beginning? Wilke Weermann spoke with Berlin pupils who are fighting for their future. The research material and interviews were used to create a classroom play about the political desires of young people.

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Arno Declair

De Toneelmakerij, Amsterdam/Netherlands

Written by Jibbe Willems. Directed by Wieke ten Cate.

Dramaturgy: Paulien Geerlings 
Stage & Costume Design:
Studio Dennis Vanderbroeck 
Theatre Education: 
Martien Langman 
Music:
Rik Elstgeest (Touki Delphine) 
With:
Frieda Barnhard, Teunie de Brouwer, Belinda van der Stoep, Chiem Vreeken 


In Co-operation with Weöres Sándor Színház, Szombathely/Hungary and Deutsches Theater Berlin/Germany. 

18:30 CET

Performance: Age of Rage

Streamed Stage Play by De Toneelmakerij, Amsterdam/The Netherlands
Free Admission

 

There’s a girl in a police cell, and she’s angry. She’s 16, and she’s smart. She didn’t even do much wrong, really, she reckons. All she did was throw a pie in a politician’s face. But then they pinned her down on the ground, arrested her and locked her up. But she’s already got enough reasons to be angry: her parents have been divorcing for the last year, she’s debt-relief poor, and every time she tries to form an opinion, she’s cut down again by her psychologists, teachers or classmates. “Age of Rage” is about a combative girl who’s trying all she can to move forward, but she keeps on getting dragged down. She wants to be heard, but nobody’s listening.
 

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Sanne Pepper

Weöres Sándor Színház, Szombathely/Hungary

Written by Attila Lőrinczy. Directed by Attila Réthly. 

Stage & Costume Design: Viktória Takács 
Prompter: 
Ágnes Jenei 
Assistant Director: 
Bernát Pados 
Theatre Pedagogy: 
Gyöngyi Németh,

Blanka Kovács 
With: 
Judit Németh, Boglárka Nagy-Bakonyi, 

Csaba Kenderes 


In Co-operation with De Toneelmakerij, Amsterdam/Netherlands and Deutsches Theater Berlin/Germany. 

20:00 CET

Performance: Fury Island | Haragossziget

Streamed Stage Play by Weöres Sándor Színház, Szombathely/Hungary
Free Admission

 

In Hungary in the 2000s there was an astonishing number of murders committed by young people. We created a fictional documentary story in which we deliberately avoided obvious motives such as poverty, drug addiction or severe psychological stress. We were curious to see how seemingly consolidated, wealthy young people - much like those in ancient Greek tragedies - could commit the most serious crime: matricide. The story is told in the overlapping of the narratives of the sixteen-year-old high school girl Stuci, her nineteenyear-old friend Zsomer, and the monologues of her mother Erika, a fifty-four-year-old librarian.

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Zsolt Mészáros

Junges Staatstheater Karlsruhe/Germany

Written by Stefan Hornbach. Directed by Djuna Delker.

Dramaturgy: Lena Fritschle 
Stage & Costume Design:
 Svenja Kosmalski 
Theatre Pedagogy: 
Virginie Bousquet, Pascal Grupe 
Production Management:
Mona vom Dahl  
With:
Alisa Kunina, Pål Fredrik Kvale (2019/20), Constantin Petry (2020/21) 


In Co-operation with Pesti Magyar Színház, Budapest/Hungary and Slovak National Drama Theatre, Bratislava/Slovakia. 

  • 10:00 CET
  • 14:00 CET

Performance: Plan(et) B

Live Zoom Play by Badisches Staatstheater Karlsruhe/Germany
10 seats available | Free Admission

 

The Fridays for Future movement and numerous renowned scientists agree: If our planet were a boat, it would soon be sinking. It’s time for a new generation to take the wheel. Because there is no planet B for us to escape to. But there may well be a plan B …

 

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Arno Kohlem

Pesti Magyar Színház, Budapest/Hungary

Written by Péter Deres, János Antal Horváth, Illés Horváth. 
Directed by Illés Horváth. 
Dramaturgy: János Antal Horváth 
Stage & Costume Design: Anett Gálvölgyi, Márton Miovácz  
Assistant Director: Andrea Juhász 
Light Design: Péter Vajda  
Music: Ákos Zságer-Varga 
Choreography: Barnabás Horkay  
English Translation: Réka Vajda, Olivér Szendrey-Nagy 
With: Antos Gémes, Panka Kovács, Gábor Kovács 


In Co-operation with Badisches Staatstheater Karlsruhe/Germany and Slovak National Drama Theatre, Bratislava/Slovakia. 

 20:00 CET

Performance: Before Tomorrow | Holnapelőtt

Streamed Stage Play by Pesti Magyar Színház, Budapest/Hungary
Free Admission

 

How do young people see how they can equip their lives in a world where there are no adults – perhaps because of an apocalyptic disaster? How can they communicate with each other, survive when there is no parental control over them?

 

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Juhász Éva

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