European theatres must rethink how they interact with staff, local communities and the environment in order to ensure society remains united, theatre professionals have been told.
Leading directors across the continent gathered at the European Theatre Convention (ETC) International Theatre Conference in Lisbon to hear how care is essential in theatres and productions to help face global challenges of inequality and insecurity.
They also discussed the importance of 'slowing down', and ensuring care is present in laws and regulations for artist working conditions that support everyone - in all their diversity - to fulfil their creative visions.
"The theatre can be a flood," said Alexander Zeldin, the writer and director who delivered the keynote artistic address at the conference. "Its waters seep into cracks unseen in our world, it irrigates life by giving us a chance to see it afresh. The flood is what allows us to go with new eyes across borders and boundaries that are set up by shame, politics, history, and economics."
“We now know caring is more important than ever”
Around 100 attendees joined the ETC International Theatre Conference, which was held in partnership with Teatro Nacional D. Maria II in Lisbon/Portugal and ran from 3-6 November.
The full programme of events began with an introduction to the conference concept of CARE, in a conversation with Pedro Penim, Artistic Director of Teatro Nacional D. Maria II. It then included:
- Strategies for Care in Europe, with Sofia Moreira de Sousa, Representative of the European Commission in Portugal
- Artistic Intervention from Writer and Director Alexander Zeldin
- A Philosophical Perspective on the Ethics of Care, with Tove Pettersen, Professor of Philosophy, Center for Gender Research, University of Oslo
- The Social Aspects of Care, with Anita Debaere, Director of PEARLE* - Live Performance Europe, and Diana Niepce, Portuguese dancer, choreographer and writer
- Ecological Aspects of Care, with Paddy Dillon, Coordinator, Theatre Green Book
- TRANSFORMATIONS Meeting #3, with ETC staff, to present the next six months of activity for the ETC network
Other key speakers also included Rui Catarino, President of the Administration Board at Teatro Nacional D. Maria II; Milo Rau, Artistic Director at NT Gent; Kay Voges, Artistic Director at Volkstheater Wien; Heidi Wiley, Executive Director at ETC; and Serge Rangoni, Artistic Director and General Manager at Théâtre de Liège, and ETC President.
The recordings from the conference will be made available soon on the ‘Online Library’ section of the ETC website.
New ETC Members
Four new theatres joined ETC for the first time during the General Assembly in Lisbon. They are:
- National Theatre ‘Ivan Vazov’, from Sofia/Bulgaria with a 780 seat main stage
- Centro Cultural Belem, from Lisbon/Portugal, which works on classical music, jazz, theatre, dance, opera and cinema.
- Teatro Arraiga Antzxoia, from Bilbao/Spain, which has a capacity to host 1,200 people
- Lesia Ukrainka Theatre, from Lviv/Ukraine, which has a team of 65 people and a main stage that seats 300 people
In addition, ETC members were treated to several performances at the Teatro Nacional D. Maria II, including the celebrated Casa Portuguesa by Pedro Penim, Artistic Director at the theatre.
Two major international projects were presented during the ETC Conference, which each have missions to use artistic activities to challenge and re-think the way theatre partners operate.
- STAGES – Sustainable Theatre Alliance for a Green Environmental Shift is an ambitious sustainable theatre project that aims to reimagine the relationship between culture and sustainability. The project links 14 theatre and academic organisations from 13 countries, including ETC. Read more
- ACuTe – Culture Testbeds for Performing Arts and New Technology, which also links together 14 partners, is an experiment in finding new ways of including technology and research and development in the theatre creation phase. Read more
Speaking about the conference, Serge Rangoni, Artistic Director and General Manager of Théâtre de Liège/Belgium, and ETC President, said: “Only our capacity for empathy, our willingness to understand and to care will enable us to confront the deep fractures that our societies are experiencing.
“We must do this without fear, but also without naivety, because the challenges we must face are so numerous and so powerful that the first reactions are often those of increased conservatism, if not reactionarism, and do not encourage us to give time to the required prudent and careful analysis.”
Heidi Wiley, Executive Director at ETC, added: “This conference was a rich exploration of an incredibly important concept for our times, and how different perspectives on care can be applied to theatre. We know that integrating these ideas will mean slowing down, rethinking the way we act and leaning on each other to use European structures and processes to guide the way. In other words, we will need to care for each other too.
“Thank you to Teatro Nacional D. Maria II and all of our colleagues in Lisbon for hosting such a fascinating discussion that will have long-lasting impacts on theatre in Europe.”
Sofia Moreira de Sousa, Head of European Commission Representation Portugal, said: "The role of networks is essential and we would like to share with you our pleasure to pursue our collaboration with the ETC and renew our warm congratulations for its work through various projects, such as its TRANSFORMATIONS programme, STAGES as an ambitious and promising action revamping the ways prominent European theatres display sustainable development and, adding to this, ACuTe, an experimental and innovative lab connecting universities with and Young Europe, ETC’s flagship artistic project."
For interviews and additional information, please contact:
Christy Romer, ETC Communication Manager
Founded in 1988, the European Theatre Convention (ETC) is the largest network of public theatres in Europe. It is an arts organisation that promotes European theatre as a vital platform for dialogue, democracy and interaction that responds to, reflects and engages with today’s diverse audiences and changing societies. ETC’s programme of grants and events support networking, professional development and artistic collaborations for theatre staff across Europe — championing theatre as a key European art form for the 21st century.
ETC has 59 members from 31 countries and is supported by the Creative Europe Programme of the European Union.